May 24, 2013
"The following, according to an order published at the end of the seventeenth century, were the measures to be taken when the plague appeared in a town. First, a strict spatial partitioning: the closing of the town and its outlying districts, a prohibition to leave the town on pain of death, the killing of all stray animals; the division of the town into distinct quarters, each governed by an intendant. Each street is placed under the authority of a syndic, who keeps it under surveillance; if he leaves the street, he will be condemned to death. On the appointed day, everyone is ordered to stay indoors: it is forbidden to leave on pain of death. The syndic himself comes to lock the door of each house from the outside; he takes the key with him and hands it over to the intendant of the quarter; the intendant keeps it until the end of the quarantine. Each family will have made its own provisions; but, for bread and wine, small wooden canals are set up between the street and the interior of the houses, thus allowing each person to receive his ration without communicating with the suppliers and other residents; meat, fish and herbs will be hoisted up into the houses with pulleys and baskets. If it is absolutely necessary to leave the house, it will be done in turn, avoiding any meeting. Only the intendants, syndics and guards will move about the streets and also, between the infected houses, from one corpse to another, the ‘crows’, who can be left to die: these are ‘people of little substance who carry the sick, bury the dead, clean and do many vile and abject offices’. It is a segmented, immobile, frozen space. Each individual is fixed in his place. And, if he moves, he does so at the risk of his life, contagion or punishment."

— Michel Foucault, Discipline and Punish

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Filed under: foucault 
May 24, 2013
"O, when mine eyes did see Olivia first, methought she purged the air of pestilence!"

— Shakespeare, Twelfth Night, Act I, Scene I; an allusion to the intermittent plague outbreaks in England. Compare with this line from Shakespeare’s much earlier poem Venus and Adonis (1592-1593): “That the star-gazers, having writ on death, May say the plague is banished by thy breath.” In 1593 the plague killed approximately 10,000 Londoners.

May 24, 2013
"I do not think it too fanciful to suggest that the development of Shakespeare’s feeling about sickness and disease is reflected in his similes. If we examine, for instance, those drawn from the plague, we notice that many of his early ones give us rather a shock by their extraordinary lack of feeling and even of good taste. […] However that may be, it is worth noting, though it may be pure coincidence, that all Shakespeare’s images from the plague up to the year 1600 are light, and, with one exception, show a certain lack of feeling; whereas after 1600 every one of them is serious, and is used in such a way that the gravity and horror of the disease are emphasised. Thus Speed laughingly assures Valentine he knows he is in love by ‘special marks’, one of which is that he walks alone, like one that had the pestilence’; Beatrice avers that Benedick ‘is sooner caught than the pestilence, and the taker runs presently mad’; Olivia, taken aback by her sudden infatuation for Viola, reflects that ‘even so quickly may one catch the plague’; but a sense of real feeling of the menace and horror of the infection is implied in the Duke’s cry of love at first sight which gives us what would seem almost a contradiction in terms, a metaphor from this subject full of charm and poetry: ‘O, when mine eyes did see Olivia first, Methought she purged the air of pestilence!’ But after Twelfth Night (c. 1600), it so happens that the plague images have a different tone and are used in a graver context."

— Caroline Spurgeon, Shakespeare’s Imagery And What It Tells Us

May 24, 2013

If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o’er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
‘Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe’er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.

- Shakespeare, Twelfth Night, Act I, Scene I

May 24, 2013
"At our feast we had a play called Twelfth Night or What You Will, much like the Commedy of Errors or Menechmi in Plautus, but most like and near to that in Italian called Inganni. A good practise in it to make the Steward believe his Lady Widdowe was in love with him by counterfeyting a letter from his Lady in generall terms, telling him what shee liked best in him and prescribing his gesture in smiling his apparaile etc, and then when he came to practise making him beleeve they tooke him to be mad."

— John Manningham, diary entry, 1602

May 23, 2013

Ideally, I would be a disembodied consciousness. I would settle for invisibility.

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Filed under: don't look at me 
May 23, 2013

i don’t think i know anyone offline who listens to the innocence mission, they’re so nice

Same. Birds of My Neighborhood and Small Planes are just perfect.

May 23, 2013

Look for Me As You Go By

May 23, 2013

I had a fairly religious upbringing. We were Pentecostal; an evangelical Christian faith that practices immersion baptism, speaking in tongues, faith healing, etc. (Actually, we were Pentecostals of the oneness or apostolic variety, so there was also an emphasis on the oneness of the godhead.) My parents divorced when I was very young, so I regularly attended two churches (both Pentecostal), which kind of afforded me a view of the positive potential for religious faith as well as some very negative realities. One church was racially mixed, active in its outreach to the poor (within the congregation and the community generally), and had women in leadership positions. The other church was predominantly white, strict in its various prohibitions, almost all of which were focused on the physical appearance of women in the congregation, and quite strident in its denunciation of all sorts of “others”.

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Filed under: christianity 
May 23, 2013
Karl Marx Interviewed for the Chicago Tribune, December 18, 1878
Tribune: You and your followers, Dr. Marx, have been credited with all sorts of incendiary speeches against religion. Of course you would like to see the whole system destroyed, root and branch.
Marx: We know that violent measures against religion are nonsense; but this is an opinion: as socialism grows, religion will disappear.
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Filed under: marx 
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